Joining Rollins are Jazz Messengers Art Blakey on drums and Horace Silver on piano, Miles Davis favorite bassist Paul Chambers, the quintessential trombonist J.J.
#Worktime sonny rollins allmusic code
Neither are tunes that have been done to death by hard boppers, and Rollins has no problem showing us that they can be relevant to jazz. Sonny Rollins Worktime (1982, Vinyl) - Discogs Release r3345542 Copy Release Code Edit Release All Versions of this Release Recently Edited Add to Collection Add to Wantlist Marketplace 10 For Sale from 15.74 Buy Vinyl Sell Vinyl Statistics Have: 159 Want: 65 Avg Rating:4.13 / 5 Ratings: 15 Last Sold:Lowest:10.42 Median:16. 2, recorded for Blue Note, is a timeless session and a milestone in jazz history that gathered together some of the founding fathers of the post-bop era. "Sweet Leilani" (which the seminal Bing Crosby defined) is from the film Waikiki Wedding, while "The Moon of Manakoora" is from The Hurricane (which starred Dorothy Lamour). After he was coaxed out of seclusion in Chicago to replace Harold Land in the Clifford Brown/Max Roach quintet in 1954, this 1955 release was Sonny Rollins first album as a leader since the conclusion of his first self-imposed sabbatical. The CD's only real standard is the ballad "A Nightingale Sang in Berkeley Square" - the other selections range from Rollins originals (which include the funky, playful "Did You See Harold Vick?" and the calypso-minded "Salvador") to forgotten songs from 1937 movies. True to form, the saxman continues to make interesting choices on This Is What I Do, which was recorded in 2000 and finds a 69-year-old Rollins joined by Clifford Anderson on trombone, Stephen Scott on acoustic piano, Jack DeJohnette or Perry Wilson on drums, and long-time companion Bob Cranshaw on electric bass. Over the years, he hasn't made the mistake of limiting himself to overdone Gershwin and Cole Porter favorites Rollins doesn't exclude well-known standards by any means, but he has also made a point of interpreting a lot of material that other hard boppers have ignored (and that has included everything from forgotten show tunes to Stevie Wonder gems). Pianist Ray Bryant's playing is also impeccable throughout.When it comes to picking material, today's young hard boppers (both instrumentalists and singers) could learn a lot from Sonny Rollins - a tenor titan who has always had a way of surprising us with interesting, unexpected choices. Even on the more relaxed tempo of "There Are Such Things," Rollins' exploration of the changes combines a classic tenor's warm breathy tone with a bebopper's determination to leave no possibility unconsidered. Rollins and Roach also work off of each other to great effect on "Raincheck," trading fours on this imaginative selection from the from the Billy Strayhorn catalog. The Allmusic review by Scott Yanow wrote that the versions of Dont Stop the Carnival and Autumn Nocturne are memorable but most of the rest of the set. this 1955 release was Sonny Rollins first album as a leader since the conclusion of his first self-imposed sabbatical. Find release reviews and credits for Worktime.
He takes his first chorus on "Show Business" with only bassist George Morrow for support, then when the drums come in, he blows ferocious double-time before giving way to Roach's extremely musical solo. Find release reviews and credits for Worktime - Sonny Rollins on AllMusic - 2011 - After he was coaxed out of seclusion in Chicago. Not that the tenorist needs much spurring - he comes flying out of the gate on the opening tune, "There's No Business Like Show Business" and doesn't let up for the duration of the session. Roach is on hand in the drummer's seat, spurring Rollins along every step of the way. After he was coaxed out of seclusion in Chicago to replace Harold Land in the Clifford Brown/ Max Roach quintet in 1954, this 1955 release was Sonny Rollins' first album as a leader since the conclusion of his first self-imposed sabbatical.
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